English Dance &
Song is the longest-established magazine devoted to folk music, dance
and song in the country. First published in 1936, it has appeared at least
four times a year ever since.
Martin
Simpson
There’s
a full list of the recipients of the Anniversary Awards, and a feature
about Sam Lee.
Reviews – including recent EFDSS publications and collaborations,
The Gloworms, Marrow Bones, Hardcore English and The Folk Handbook --
plus Martin Simpson, Marilyn Tucker & Paul Wilson, Skylark, Keith
Summers’ recordings from Suffolk, The Hosepipe Band, Chris Stout
Quintet, Steve Tilston, Horseplay, The Park Bench Social Club, The Gladly
Solemn Sound, Julie Fowlis, Kathleen MacInnes, Ray Hubbard, The John and
Mary Thurston Music Book, Herd Laddie o the Glen (Willie Scott), Graeme
Miles song book and Gypsy Life in the West Country.
Regular Features:
Branching Out; Festive Round-Up; Lives Remembered, News; The Autumn Dancing
Season (list of dance events); EFDSS Matters; and The Source (list of
county folk contacts). Sound Files
Sound files that complement the features are included here:
‘The Trees They Are So High’ sung by Ed Rennie.
‘Nineteenth Century’ and ‘Lady Nelson’s Reel’
played by Neil Brookes and Tony Weatherall.
The
Imagined Village is the name of a concert tour and CD scheduled
for this Autumn, featuring Martin Carthy, Eliza Carthy, The Gloworms,
The Young Coppers and Chris Wood, as well as
Benjamin Zephaniah, Sheila Chandra and Billy
Bragg. Alan James explains what it’s all about.
The
regular ‘Singer, Song and Source’ features
Ed Rennie, former member of the Bismarcks, now performing
with Housewives’ Choice and forging a career as
a solo singer. The song is ‘The Trees they are so High’
from the Devon singer James Parsons, known to Sabine Baring-Gould as ‘The
Singing Machine’. Martin Graebe writes about James Parsons.
There is also a piece on the Baring-Gould Folk Song School
by Marilyn Tucker.
This issue’s tunes feature comes from Shropshire, and is entitled
‘The Shropshire Hero’. Neil Brookes explains
the existence and contents of five tune books from north Shropshire.
Robbie Thomas suggests that there are lessons to be learnt from Cecil
Sharp House’s regular Scottish dance events, The Ceilidh Club.
Christine Rogers examines the Dances in Jane Austen’s novels.
In ‘Lewes Favourites’, Gavin Atkin attempts
to explain why this small Sussex town has so many folk song, music and
dance activities.
There’s a feature on a nineteenth century painting, Rush Bearing,
which is reproduced in print in full colour for the first time.
Gold
Badge citations for The Yetties and the late Frank
Purslow are printed in full. The Yetties
English Dance & Song exists to interest, inform and
stimulate the membership of the EFDSS, as well as the wider folk music
and dance community.
English Dance & Song aims to publish contributions of the highest
quality.
The range
of interests include traditional song, traditional dance (social, display,
ceremonial), traditional music, custom and children's games. The geographical
spread is not confined to England, but may also include Scotland, Wales
and Ireland; as well as the USA, and other areas of the world which may
be appropriate.
Potential contributors are asked to read the Contributor's Style Sheet.
htmrtfpdf
Items for review should be sent to the Editor. Unsolicited reviews will
not be published.
The Editor of eds is Derek Schofield,
author of The First Week in August: Fifty Years of the Sidmouth
Festival, published in 2004 to celebrate the festival’s
Golden Jubilee.
He has also written biographies of William Kimber and Fred Jordan, as
published in their recent CDs, Absolutely Classic: The Music of William
Kimber (EFDSS, 1999) and A Shropshire Lad (Veteran, 2003). Derek has also
contributed to The Guardian, The Independent and The Times, as well as
to the Folk Music Journal and fRoots.
Contact the Editor at: Editor, English Dance and Song, EFDSS, Cecil Sharp
House, 2 Regent’s Park Road, London, NW1 7AY.